Ion have now introduced a new version of the kit, inventively named Drum Rocker Pro. Best thing about it? They’ve (allegedly) fixed my issue with the kick pedal. In my review of the original Drum Rocker I noted that the one real problem with it is the weight of the kick pedal. You can’t rest your foot on it and its too light to get your whole leg behind the kick, so I always wind up with a sore shin after playing Rock Band (or Guitar Hero, obviously. But really Rock Band). The pedal that comes with Drum Rocker pro is supposed to be very customisable:

Expanding upon the success of the original Drum Rocker, ION’s Drum Rocker Pro adds the impressive Drum Rocker Pro Pedal, which further enhances the authenticity of the most realistic music gaming controller available. Drum Rocker Pro Pedal is a professional-grade electronic kick drum pedal that delivers uncompromised kick drum performance to the Rock Band® drumming experience.

The Pro Pedal’s steel base plate and all-metal construction gives a solid, stable foundation. The dual-chain drive, adjustable beater and rubber trigger assembly identically replicates the physics and rebound that drummers demand out of an authentic kick drum pedal, while an adjustable spring assembly allows for customizable feel. While the Drum Rocker Pro Pedal is included with Drum Rocker Pro, it is also available separately for existing Drum Rocker, Drum Rocker Core, and Rock Band Drum Set owners.

I’m presuming that “adjustable spring assembly” refers to the spring that you stomp on, so this is very welcome news to me. I’m also glad to hear that I can pick up the pedal separately. Honestly, it’s been over a year I’m still very happy with my current kit. It’s had a couple of professional drummers at it, so has taken a good beating and is still going strong. Given the amount I paid, there’s no way in hell I could justify an upgrade.

Rock Band 3 is due out in October (preorder Rock Band 3 today! ;) and will include a feature called Rock Band Pro, which works with all versions of the Drum Rocker and allows the game to distinguish between each cymbal and drum. I must admit, I do get lazy – for the yellows and greens I make no effort to hit the correct drum or cymbal according to the music. I’m just bashing away at whichever one is easiest to reach at the time, so wind up playing full cymbal parts on the drum or vice versa. I’m not saying this will convince me to play properly, but it might…

Finally, the Drum Rocker Pro, like the previous versions, can easily be turned into a real instrument, if you want to fork out several hundred extra pounds and pick up an Alesis DM6.

Do you play Rock Band? Invite people round to play, or gone round someone else’s place? How well does a plastic instrument video game go down with your less-gaming friends?

Let’s get the most important points out first:

1. Yes, drum sticks are included
2. Yes, the Drum Rocker is awesome!
3. Yes, it works with Guitar Hero: World Tour

The Rocker comes in a box roughly the size and shape of the Rock Band Instrument Pack. When you open it, you get…

…a bunch of little boxes. And some poles with bits on them. And Empty Box “A”.

Open all the boxes….

Lots of thingies. Have no fear, the included instructions are fairly idiot-proof and have lots of pictures. For the record, Empty Box “A” contained air.

You may be tempted to disbelieve reports that the kit will take about an hour to assemble even for experienced… er… assemblers. It’s true. The gear isn’t complex but there are lots of parts and lots of connections to hook up. The thing cost 230 quid, so now is not the time to skip steps.

The finished product is big.

That TV in the background? That’s a 46-incher. It’s about 2 feet behind the Drum Rocker, so you can try to gauge the size yourself. Or, y’know, I could just go measure it.
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Right, I’m back. In a playable configuration (as pictured) it’s 177cm wide (46 inches), 67cm deep (26 inches) and 110cm high(43 inches). If you don’t want to take it apart between sessions, you can fold in the arms holding the red and green drums. That’ll bring it down to 76 cm wide (30 inches), which isn’t exactly small but is less dominating. If that’s not enough, keep hold of your allen keys and get used to doing lots of unscrewing and reassembly coz there’s no easy way to fold bits up for storage. You do need everything screwed tightly coz it’s fricking annoying when the drum pad drops a millimetre every time you hit it.

Performance-wise, the Drum Rocker is fantastic! Sure, those missed notes on the original Rock Band kit miiiight have been my fault… With the Drum Rocker, you get much better feedback. If you miss the drum pad and hit the edge, you know what happened. There’s no ambiguity to that click of drumstick on frame. I haven’t noticed the kit itself dropping any of my good hits and the rebound off the drum pads feels much nicer than the original kit. The physical sound is less annoying than the original plastic kit but still enough that you need to turn the volume way up to hear the drum sounds properly.

The bass pedal is still a bit soft. I never liked feeling that I have to consciously hold my foot above the original kit pedal and this kit doesn’t address that at all. I have no experience with other electronic drum kits but I know that you can rest your foot on a standard mechanical pedal between songs with no problems.

The cymbals feel very strange. If you’ve ever hit a real crash, you’ll notice it straight away. These don’t move at all. You hit them, they go *clonk* and jar your hand like you’ve hit something solid. Oh, and if you turn your volume way up you can just about hear
the cymbal noise above the clonk. That being said, they are responsive and you learn not to hit them so hard. Better than not having cymbals at all.

The Verdict: If you have the space and you really enjoy the drums, this kit is well worth it. You do still need to turn volume up but the drumstick noise is noticably quieter. The Drum Rocker is a great stepping stone to real drumming, if you’re considering that. Plus, it looks way cooler at parties :)

It was… packed. Absolutely bloody rammed with people and not really designed to cope with such a high level of interest. Check out the queue for people with standard tickets, as of 10:30 am.

And the VIP queue.

We were in this queue :)

The Games

Once inside, we discovered quite how poorly-laid-out the venue was:

Guitar Hero III and Lego Indiana Jones were probably two of the most-anticipated family-friendly games at the show. What did the organisers do? They put Lego Indiana Jones in a tiny, enclosed booth so that you could neither spectate, nor queue properly to have a go. I couldn’t even get near Guitar Hero III which, as you can see above, was squashed into the corner behind Kung Fu Panda. On the left is the green and white competition stage which is, again, enclosed so you can’t really see what’s going on.

Upstairs was slightly more spacious but didn’t have a whole lot of playable games. The Square Enix section was four TVs showing the same video montage loop. The Mac stand was nice but didn’t garner much interest. Haze and Gran Turismo 5 were popular, the latter having a very nice set of Recaro chairs hooked up to PS3s. Rock Band had a good following. I can only assume that playing it is a lot more fun than spectating. The contrast between a real band and Rock Band was just too obvious in that public setting. It was very much like watching a bunch of school kids playing an unknown piece of music for the first time – all furrowed brows and fervent reading, yet no sense of passion or enjoyment.

The other thing we noticed (and Xino pointed out) was that a lot of the games weren’t exactly new. The 18-only section had such gems as Kane and Lynch (demo already available on Xbox Live), Gears of War (ditto), Oblivion (on PS3, okay) and Halo 3 (being monopolised by people who have clearly played it before). We were amused to find a 360 proudly displaying the Red Ring of Death. ButtonBandits also had a good giggle.

There was some new stuff like Far Cry 2 Condemned 2 and Dynasty Warriors 6 (released in early March) but the most exciting games were barely represented. Here’s everything I could find for Star Wars: Force Unleashed.

Yup, it’s a poster. A large poster. A well-designed poster in 5 parts. But ultimately, a poster. Ghostbusters fared marginally better with a video. Very disappointing.

I did like the look of PDC World Championship Darts on the Wii but it was right up against the tables for the eating area. I’ve played a review copy of the PS2 version but so far have held back from reviewing it on grounds of “If you have nothing nice to say…” I really wanted to try the Wii version for comparison but it was far too much trouble to join the queue without constantly being jostled by people carrying ketchup-laden hot dogs. Speaking of which… a cheeseburger, chips and coke set me back £7.50! A beer was £4.30! I was expecting the prices to be high, but holy crap! On top of the £16 VIP tickets for a show that wasn’t big enough to justify visiting on both days, it was an expensive weekend.

Outside the stadium was a giant Stay-Puft Marshmallow Man and one of those moving pod ride things that you get for simulating roller-coasters and the like. The queue was short so we hopped inside for a wobbly preview of the Iron Man game. Don’t buy it! It looks shabby and plays like the cheap movie tie-in that it is. I hope the film is better, because the trailer looks very promising.

There were some good things about the show. The Bourne Conspiracy demo was fun. Combat was a bit simplistic – block, punch, alternate until the finishing move icon appears, then hit B to (hopefully) finish off the assailant on a handy bit of scenery – but it worked for a ten minute trial. The Quick-Time-Events were even appropriate. They appeared mainly at points where you’d have to react very quickly, like being spotted by a sniper, and the reaction time was very, very short. I would have preferred more direct control, being given the choice of where to run, for example, but I suppose if you’re designing for morons who just want to twitch on buttons and not have to think, then at least they had a good premise for QTEs.

(Yes, I am being uncharitable. Quick Time Events are godawful, lazy game design and anyone who enjoys them should be thrown in a stinking pit with a continuous loop of Uwe Boll films for company.)

The other enjoyable game was Army of Two. This had its own small-yet-roomy booth with two PS3 and two Xbox 360 versions. Even though the game is already out and I was already interested (I really enjoyed co-op Gears of War), I’m not about to drop £40 on a game without having played a demo first. It’s a good co-operative shooter with a not-really-necessary USP, known as the aggrometer. Whenever you shoot or otherwise cause mayhem, you raise the aggro level of the bad guys. If one of you keeps the aggro for a while, they tend to focus entirely on you and forget about your partner, who then turns “invisible” and can run around the behind them and do his murderous thing. As far as I could see, having this visually represented on the HUD was entirely redundant. The ubiquitous tracer rounds used by the enemy do a perfectly good job of indicating who has their attention. Army of Two would be a much more immersive game if aggro was simply a hidden property and TBH, I don’t see how it makes the gameplay significantly different from the enemies’ behaviour in Gears of War. Sure, there are a couple of visual effects and “Overkill” mode but this sort of teamworking and distraction technique has been a staple of shooters for years, no? No matter, there were other fun features that made it enjoyable, despite the overwhelmingly white male cast (with token hot radio female). Co-op parachuting is a nice change from driving+shooting sequences and the back-to-back slow-motion fighting technique is a laugh.

The Shows

I was there for the games. I didn’t care about the shows, which is just as well because there wasn’t a whole lot of space to watch them. I suppose other people might have enjoyed the bands or the obnoxious MC who kept shouting “Xbox 360 is better than PS3 yeah?” despite getting no response, but to me they were oppresive noise. We got a good view of the dancing Vegas showgirls by virtue of being upstairs at the time. Their shows seemed rather pointless to me, having very little to do with Rainbow 6 Vegas, but in a 95% male crowd, there was probably enough of an audience to convince some marketing exec that it was a worthwhile idea.

In summary:

The show was disappointing for those of us who remember the spaciousness of PlayStation Experience or Game Stars Live. It was awkward to queue for the few games we wanted to try. In swag terms, it was dreadful. The great thing about Game Stars Live (2004) and PlayStation Experience (2003) was coming home with a bunch of extra demo discs to play at my leisure from the comfort of my bed. At Play.com Live we got a bunch of flyers, DVDs of Ice Age and Knocked Up (WTF? truly awful film), a fake Stuntman Ignition license plate, some keychains and lanyards, a cheaply printed Fifa Street baseball cap, a pen that lights up and an EA drawstring bag. TheFluffyFist managed to bag himself a 4GB MicroSD card from the SanDisk lucky dip and we breathed the same air as Tom Baker, for those of you who might be impressed by such things.

We thought that having VIP tickets would mean that we could get some time on the more popular games during the “shift-change”, when they booted out the 10am-2pm ticket holders and let the 2pm-6pm ticket holders in. Nope, they kicked everyone out and then let us back in after ten minutes of standing around in the rain. Really crappy treatment and just served to underline how much of a rip-off the “VIP” tickets were.

OTOH, we bought Army of Two from HMV on the way home so we could spend Sunday playing it. Score 1 for the EA booth.